Showing posts with label Duke Ellington. Show all posts
Showing posts with label Duke Ellington. Show all posts

Wednesday, April 3, 2013

Some Ellington and Bernstein...

The Wind Ensemble and Symphonic Band just finished a mini-unit on Duke Ellington as part of our African-American music theme for the year (we've already studied Scott Joplin and William Grant Still). We learned about his career and why he was so important, listened to a few recordings, and then played short arrangements of "Sophisticated Lady" and "It Don't Mean a Thing." To wrap things up, here is a video of the Duke Ellington Orchestra in action. Note the great jazz vocals, reminding us that this was the pop music of the day. The violin solo is a bit of an anomaly; trumpeter Ray Nance doubled on fiddle, and Duke liked to feature him from time to time.

We're also studying the music of Leonard Bernstein this spring. SB is performing "America" from West Side Story, and WE is playing "Slava!" Here's a scary video of the latter, as performed by a Japanese middle school band. Note that they are playing from memory!

Here's the production number "America" as performed by Rita Moreno and the original movie cast. Ms. Moreno is famous for winning the Tony, Emmy, Grammy, and Oscar awards, one of the few artists to have won all four. She has had a very successful career on Broadway, in movies, and on television, including a stint in the cast of Sesame Street.

Saturday, July 23, 2011

Traditional Pakistani Music Meets American Jazz

Check out this BBC segment about an orchestra in Pakistan that plays jazz music from America. You can hear Paul Desmond's "Take Five" with strings, tabla, and sitar. UPDATE: It's now the top selling jazz album on iTunes! By the way, even though the announcer credits the piece to pianist Dave Brubeck, it was written by his saxophonist Desmond. Most people assume Brubeck wrote it because it's his most famous and most requested piece, just like Duke Ellington didn't write his theme song "Take the 'A' Train." That classic was composed by his collaborator, Billy Strayhorn.