Saturday, August 25, 2012

Desert Island Discs

On the first day of school, I posed the following question to my music theory class: "If you were stranded on a desert island for the rest of your life and could listen to only one records which would it be?" Here are their "Desert Island Disc" choices:
  • Hemispheres, Rush
  • The Romantic and Impressionist Eras, Vladimir Horowitz
  • The Wall, Pink Floyd
  • By the Way, Red Hot Chili Peppers (2 votes)
  • any album by Jim Brickman
  • Stay What You Are, Saves the Day
  • The Bends, Radiohead
  • Rumours, Fleetwood Mac
  • U218 Singles, U2
  • Abbey Road, The Beatles
  • an album of Haydn symphonies
  • Manners, Passion Pit
  • Never Mind the Bullocks, The Sex Pistols
  • Live at the Pershing, Ahmad Jamal
  • Impressions, Chris Botti
  • Rounds, Four Tet
  • 151A, Kishi Bashi
  • Come on Feel the Illinoise, Sufjan Stevens
  • Best of, Van Morrison
  • Stadium Arcadium, Red Hot Chili Peppers
  • Drukqs, Aphex Twin
Not a bad assortment--some classic rock, some classical, a bit of jazz, electronica, and indie rock. Interesting to see three different students choosing the Red Hot Chili Peppers. I remember when they had their first big hit back in 1989, Mother's Milk, and they were very popular with my students. Now, 20+ years later, they're still capturing the attention of teenagers--not a bad career.

Saturday, August 18, 2012

Band Camp 2012

The 2012 Band Camp is in the books. We had a great week with (mostly) good weather. A record number of members form this year's squad--72! I know that back in the 70s or 80s before marching band was voluntary, we probably had larger groups, but in my 25-year tenure, it's the first time we've broken 70. It's a great mix of veteran leadership and enthusiastic new faces. We've learned our traditional pregame drill with the criss-cross America the Beautiful routine, and we've begun to learn a halftime drill to "Rolling in the Deep."

Our first show will be on Friday, August 31. The theme is "Pop Hits," so we'll do the Adele song above along with the soundtrack to so many viral videos, "Call Me Maybe." Come out to Adams Field and check us out!

Click on the slide show above to see pictures of our busy week!

Friday, August 10, 2012

Rock and Roll Olympics, Part 3

Read Part 1 and Part 2 first!

In the Olympics Rock Band competition, days of competition boiled down to the night when England met America for the gold medal match. After the Yanks performed first, British captain John Lennon sent the boys in Led Zeppelin out on stage to open their team’s hour-long set. Skipping the acoustic sounds and the Middle Earth mythology, they went right for the jugular with some of their hardest tunes, reminding everyone of their status as heavy metal pioneers. “Black Dog,” “Heartbreaker,” and “Immigrant Song” led to a finale of “Good Times, Bad Times,” the first track off their debut album. Joe Strummer and The Clash then ran on stage, kicking off “London’s Burning” before the applause for Led Zeppelin even had a chance to die down. Their sneering punk attitudes came across as only slightly more finessed than the Ramones’ performance during the American set. They toned it down with the reggae of “The Guns of Brixton” and closed with a perfectly placed jab at the Americans by singing “I’m So Bored with the U.S.A.”

The final three bands came on stage all at once, forming a super group the likes of which had never been seen. The Beatles, The Rolling Stones, and The Who proved that the whole truly could be greater than the sum of the parts. They performed a three-song medley, opening with Keith Richards, George Harrison, and Pete Townshend in a triple guitar attack on “Satisfaction.” Mick Jagger and Paul McCartney shared vocal duties, while Keith Moon and Charlie Watts manned dual drum kits. Ringo Starr was relegated to tambourine, and Bill Wyman played bass. At the end of a Ronnie Wood guitar solo, Roger Daltrey grabbed the mic and spat out, “People try to put us d-d-d-down!” and launched the band into “My Generation.” With John Lennon on backing vocals and a bass duel by McCartney and John Entwistle, the tune kicked into overdrive at the modulation. Jimmy Page then ran back on stage and played a monster guitar solo, which segued the band into the final song.

Everyone expected one of the Beatles’ sing-along hits like “Hey Jude,” but this was not that kind of gig. Instead, the chaotic sounds of “Helter Skelter” issued forth like some sort of rock manifesto. At one point, Starr and Moon (clever, eh?) were soloing simultaneously, while Townshend began smashing his guitar across his amp. Daltrey dove into the crowd, followed by all of the members of The Clash. Richards, Harrison, and Page duked it out with guitar solos, and Jagger just leered into the crowd. When the dust settled, the exhausted audience fell to their seats and awaited the judges’ scores.

The final score was England 742.667, America 709.5. Rock and roll may have been born in the US, but it was the hometown favorites who emerged victorious in this match. America would even the score the following night, however, when the individual rock artist events were held. Team USA featured five rock legends: Elvis Presley, Aretha Franklin, James Brown, Stevie Wonder, and Bob Dylan. England countered with David Bowie, Elton John, Eric Clapton, Sting, and Peter Gabriel, but they couldn’t quite keep up. When the Americans closed the evening with a funky and soulful version of “Like a Rolling Stone,” they wrapped up the gold medal, leaving the Brits with silver and the Irish, led by Van Morrison, with a second bronze.

In other events, the Jamaicans, led by Bob Marley and Peter Tosh, won the gold medal in reggae, with England and Cote d’Ivoire taking the silver and bronze. The United States boasted a pair of dream teams that won gold in jazz and hip-hop. The jazz team included captain Louis Armstrong with Duke Ellington, Charlie Parker, Miles Davis, and John Coltrane. The rappers featured Public Enemy, Run DMC, The Beastie Boys, Tupac Shakur, and Dr. Dre. Neither squad was ever challenged as they flew through their matches like Michael Jordan and his legendary 1992 basketball squad. The Afropop category was the most closely contested during this year’s games, as Fela Kuti and his Nigerian squad barely eked out a victory over Ali Farka TourĂ© and Tinariwen from Team Mali. South Africa won bronze over Congo.

In the Romantic Era of Classical Music Event, the heavily favored Germans were stacked with talented composers: Mendelssohn, Schumann, Wagner, Brahms, and Strauss. They were able to fend off the Italians in the semi-finals and went on to defeat the Russians in the championship. As the final chords of the final musical event drifted into silence, the world looked ahead to Rio 2016, where the hometown crowd will be defending their long string of gold medals in the samba event.

Wednesday, August 8, 2012

Rock and Roll Olympics (Part 2) - America Takes the Stage

If you have not yet read Part 1, read it here.

The gold medal match of the rock band competition at the London Olympics pitted the Americans (who invented rock and roll) against the English. Each team was given 60 minutes of stage time to show off their talents, with the US up first. The visiting Americans ran into trouble early when Lou Reed decided he wasn’t interested in the competition and pulled the Velvet Underground from the bill. Then nobody could find Sly Stone, and the rest of his band dropped out. Team coach Bruce Springsteen hastily cobbled together a set that unfortunately lacked cohesion. The Ramones opened the concert with their blazing, stripped-down brand of rock including a blistering rendition of “Blitzkrieg Bop.” The transition to the pitch-perfect harmonies and complex arrangements of The Beach Boys was awkward, at best, but the crowd began to cheer loudly as they came out of the break leading into the final chorus of “Good Vibrations.” Hendrix took the stage next and almost replicated his set from the Monterey Pop Festival, but instead of lighting his guitar on fire, he segued into an unbelievable display of musical pyrotechnics using his dazzling technique and mastery of distortion to extend “Purple Haze” way beyond its original pop song format.

Just like The Who at Monterey, Nirvana and Metallica had the unenviable task of following Hendrix. Instead of presenting separate sets, they joined forces for a fascinating blend of post-punk grunge and thrash metal. At first, the groups had difficulty merging their sounds as the extreme tempo of Metallica seemed to throw off the Nirvana rhythm section, but when Kurt Cobain and James Hetfield teamed up on vocals for “Smells Like Teen Spirit,” the sounds of suburban teen angst and raw metal anger became one, bringing the American performance to a transcendent close.

Tomorrow, Team England responds...

Monday, August 6, 2012

Rock and Roll Olympics (Part 1)

For the first time in Olympic history, musicians from around the world competed in London in a number of events to win the gold, silver, and bronze medals for their countries. A novel feature of these competitions is that musicians both living and deceased were eligible for the games. Tonight featured the gold medal match in the rock band competition, held at the Royal Albert Hall. Each country was allowed five bands and two alternates. From the original field of 16, the United States beat Ireland in their semi-final match, despite a very strong performance from U2, The Cranberries, and The Pogues. The other finalist was team England, who bested Australia’s sonic onslaught headlined by AC/DC, INXS, Men at Work, and Midnight Oil. Earlier today, Ireland took bronze as Bono led his team in a tumultuous medley of “Sunday Bloody Sunday” and “New Year’s Day” from their 1983 album War. A 15-minute version of “Back in Black” by the Aussies was strong, but it did not impress the judges.

Team America were the underdogs; most critics thought their line-up was too diverse, and there were rumors of intra-squad tensions. Team coach Bruce Springsteen first chose the veteran band The Beach Boys who insisted that the Jimi Hendrix Experience be part of the team, in spite of the British citizenship of two of their members. The Brits cried foul, so Hendrix added his Band of Gypsies musicians to tip the scales in favor of the Yanks. Jimi lobbied for the inclusion of Sly and the Family Stone, a band many were afraid might miss the team flight. The Velvet Underground were chosen for their influence rather than their commercial success, and The Ramones were added to beef up the team’s overall menace quotient. Many American rockers were concerned that the overall team lacked in volume, so Nirvana and Metallica joined the squad as alternates.

The heavily favored English squad was loaded with talent. Led by The Beatles, two other British Invasion bands made the cut: The Rolling Stones and The Who. Hard rock pioneers Led Zeppelin and punk rockers The Clash rounded out the team. The alternates were Pink Floyd and young upstarts Radiohead. Fans of Queen, Cream, and The Police made strong cases for their favorite artists, but in the end team captain John Lennon went for sheer volume and intensity when choosing his team.

Tomorrow, the Americans take the stage...